"One of the magical things about theater is that it gathers a crowd of people in a quiet space, and each member of the audience gets to see how people respond differently to the different things being said on stage. The person next to you will laugh at something that you’d never think of laughing at, and you’ll get a glimpse into all the different ways of viewing the world. Unfortunately, so much theater today is less nuanced. It gives you a large dose of one way of thinking, in hopes of getting as many of the same type of people into the theater as possible."
Upon second viewing, I have definitely concluded that Guardians of the Galaxy is even better when you imagine it as a tabletop campaign with an increasingly frustrated DM who’s sick of being interrupted.
GM: “Roll 2d10.”
found this print while cleaning the apartment… what exactly is going on here???
"Hello. My name is Inigo Montoya. You killed my father. Prepare to die."
It begins with the King as a boy—having to spend a night alone in the forest to prove his courage so that he could become king. While he was standing there alone, he’s visited by a sacred vision. Out of the fire appears the Holy Grail, the symbol of God’s divine grace. And a voice said to the boy, “You shall be the keeper of the Grail, so that it may heal the hearts of men.” But the boy was blinded by greater visions, of a life filled with power and glory and beauty. And in this state of radical amazement, he felt for a brief moment not like a boy, but invincible…like God. So he reached into the fire to take the Grail. And the Grail vanished, leaving him with his hand in the fire, to be terribly wounded.
Now, as this boy grew older, his wound grew deeper, until one day, life for him lost its reason. He had no faith in any man, not even himself. He couldn’t love or feel loved. He was sick with experience. He began to die.
One day, a fool wandered into the castle and found the king alone. Being a fool, he was simpleminded, he didn’t see a king, he saw a man alone and in pain. And he asked the king, “What ails you, friend?” The king replied, “I’m thirsty. I need a some water to cool my throat.” So the fool took a cup from beside his bed, filled it with water, handed it to the king. As the king began to drink he realized that his wound was healed. He looked at his hands, and there was the Holy Grail that which he sought all of his life! And he turned to the fool and said in amazement, “How could you find that which what my brightest and bravest could not?” And the fool replied, “I don’t know. I only knew that you were thirsty.” Very beautiful, isn’t it? I think I heard that at a lecture once…I don’t know…a professor…at Hunter.
Dead Poets Society [1989 dir. peter weir]
"We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!… of the questions of these recurring; of the endless trains of the faithless… of cities filled with the foolish; what good amid these, O me, O life?” Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play and you may contribute a verse. What will your verse be?”
Dead Poets Society [Peter Weir, 1989]
“My parents were captured when I was sixteen. They both died in prison.”
“What do you remember about the day they were taken?”
“I’m sorry. I don’t think I can do this. Can we stop?”
Slap them all in togas instead of suits and it would perfect
It also follows a pyramidal composition!
However, I would argue that this picture is more Baroque than Renaissance. Notable features of Baroque art are:
- Images are direct, obvious, and dramatic.
- Tries to draw the viewer in to participate in the scene.
- Depictions feel physically and psychologically real. Emotionally intense.
- Extravagant settings and ornamentation.
- Dramatic use of color.
- Dramatic contrasts between light and dark, light and shadow.
- As opposed to Renaissance art with its clearly defined planes, with each figure placed in isolation from each other, Baroque art has continuous overlapping of figures and elements.
- Common themes: grandiose visions, ecstasies and conversions, martyrdom and death, intense light, intense psychological moments.
In the baroque, artists strove to evoke aesthetic responses. Now I’m not talking about aesthetic as in “oh thats pretty” I’m talking about aesthetic like that punch in the gut reaction you get to something.
One of the ways this was done was through the depiction of intense emotion which we see in this photograph. compare to Bernini
The picture also displays a wonderful use of chiaroscuro (an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something) a style used extensively by Caravaggio and other Baroque artists.
oh my god
This post keeps getting better.
A movable bookcase that hides a secret room? Yes, please! #someday
Have a secret room behind a bookcase is a life goal for me.
Don’t you dare try to tell Shakespeare how to do his thing Microsoft Word!